Violence in Hurston’s Seraph on the Suwanee and Their Eyes Were Watchin

Violence in Hurstons Seraph on the Suwanee and Their look Were ceremony God Several opinions from Seraph on the Suwanee parallel scenes from Their Eyes Were watch God. The scene root system The torpedo came up on pageboy 183 of Their Eyes Were Watching God and ending pried the dead(a) Tea surtypefaces dentition from her arm on page 184 echoes the scene in Seraph on the Suwanee beginning She flung her hold up on page 145 and ending proficient as fast as you can on page 146. The laying claim for each scene is identical. The outpouring fe phallic character is forced to contradict herself from a close male family member who has gone mad and is heavy(a) her life. Even in the face of death, she is primarily concerned with his well-being and becomes the lonesome(prenominal) person to set him free.The beginnings of twain scenes atomic number 18 strikingly similar. In Their Eyes, The gun came up falteringly but quickly and leveled at Janies breast. In Seraph, upon becoming awake(predicate) of the axe in Earls hand, Arvay flung her hands up to her breast. Right away, the instruction of fury is drawn to the female form, symbolized by the breast. However, the first thought to transit Janies mind with a gun to her chest is even in Tea Cakes delirium he took heavy aim. She finds praise for him no amour what he does. Even while he is threatening her life, she automatically compli handsts him, then excuses his actionsMaybe he would plosive speech sound to scare her, that was all. It is obvious that the wo workforce are in positions where they must escape in ordination to survive. The phrase for making love life appears in Seraph as precaution for her life appears in Their Eyes. Arvay must turn the lights off so that she could non be so comfortably seen and make her escape while instinctively Janies hand flew easy her on the ri... ...ive if Tea Cake were to slay Janie and it is the same with Earl and Arvay. Both manpower must be stopped, and death, not the womens adoration or forgiveness, becomes the unaccompanied way.Hurstons view of a very(prenominal) male-centered, almost male-worshipping society, is highly reflected in Janies and Arvays relationships with and attitudes towards Tea Cake and Earl. Everything the women do seems to be for the men and they push their own needs whole aside. The mens pronounce disregard and total evil and wildness towards the women starkly contrast the womens undying devotion and love for the men. Up to the point of being killed by the men, the women stand strong by them, in support of them, and in order to help them, when it is exactly the opposite of what the men are doing for the women. The repetition of the violence scene in Their Eyes and Seraph reinforces Hurstons view. Violence in Hurstons Seraph on the Suwanee and Their Eyes Were WatchinViolence in Hurstons Seraph on the Suwanee and Their Eyes Were Watching God Several scenes from Seraph on the Suwanee paralle l scenes from Their Eyes Were Watching God. The scene beginning The gun came up on page 183 of Their Eyes Were Watching God and ending pried the dead Tea Cakes teeth from her arm on page 184 echoes the scene in Seraph on the Suwanee beginning She flung her hands up on page 145 and ending just as fast as you can on page 146. The premise for each scene is identical. The prime female character is forced to defend herself from a close male family member who has gone mad and is threatening her life. Even in the face of death, she is primarily concerned with his well-being and becomes the only person to set him free.The beginnings of both scenes are strikingly similar. In Their Eyes, The gun came up unsteadily but quickly and leveled at Janies breast. In Seraph, upon becoming aware of the axe in Earls hand, Arvay flung her hands up to her breast. Right away, the focus of violence is drawn to the female form, symbolized by the breast. However, the first thought to cross Janies mind with a gun to her chest is even in Tea Cakes delirium he took good aim. She finds praise for him no matter what he does. Even while he is threatening her life, she automatically gaze him, then excuses his actionsMaybe he would point to scare her, that was all. It is obvious that the women are in positions where they must escape in order to survive. The phrase for dear life appears in Seraph as fear for her life appears in Their Eyes. Arvay must turn the lights off so that she could not be so easily seen and make her escape while instinctively Janies hand flew behind her on the ri... ...ive if Tea Cake were to kill Janie and it is the same with Earl and Arvay. Both men must be stopped, and death, not the womens adoration or forgiveness, becomes the only way.Hurstons view of a very male-centered, almost male-worshipping society, is highly reflected in Janies and Arvays relationships with and attitudes towards Tea Cake and Earl. Everything the women do seems to be for the men and they push their own needs completely aside. The mens utter disregard and total evil and violence towards the women starkly contrast the womens undying devotion and love for the men. Up to the point of being killed by the men, the women stand strong by them, in support of them, and in order to help them, when it is exactly the opposite of what the men are doing for the women. The repetition of the violence scene in Their Eyes and Seraph reinforces Hurstons view.